Nan Nyunt Swe - Moe Dewa and Ma Hla Shwe

Voice talent

During the reign of the Burmese kings, the arts of drama and music were highly encouraged and honored.

1. Great Hall

2. The little girl

3. Holy Daughter

4. Win Sin

There were four classes of dances. These dances were called high dances. They were performed on a high platform, so they were called high dances. The dances performed by the people themselves were called low dances. They were performed on the ground, so they were called low dances.

Here, the low is not to be understood as high, but it is believed that if a person goes up on the stage and dances, it will break the law of Garavaniwata, and so they are not on the stage. It is known that this distinction was made during the reign of King Bodaw and King Myawaddy. At that time, the dances performed by the people themselves were used to perform great dramas such as Enaung and Rama. The high dances, on the other hand, were performed according to the rules and procedures of the stage, without changing the traditional order, and the stories were narrated from the history and the great epics.

In this kind of dance, there were no amplifiers that could be heard from a distance like in the present day, but the princesses and princes sang with their own natural voices. If the princes lacked voices,

It was far from being a daughter. At that time, it was not easy to become a prince and princess. The qualifications required to become a prince and princess were:

A. Must have a foundation in the Pitaka literature.

B. Must have extensive knowledge of history.

C. You must also understand poetic lines.

Once these qualifications are met, the most important thing is to examine the voice. Whoever has the qualities of a prince and princess and has a good voice, even though he is used to dancing in the royal palace, is called a great one.

It is not easy to reach the throne of the king. Only the most distinguished scholars can reach the throne of the king. The issue of whether or not to reach the throne is decided by the ceremonial committee headed by the Minister of Ceremonies, the Chief of Ceremonies, and the Chief of Ceremonies. The meeting of the ceremonial committee is held in the Taunggyindaung and the decision is made. The committee considers the requirements regarding voice in the selection process.

1. It must be a soothing sound.

2. Must have fat.

3. Must be great.

4. There must also be an ultimatum.

5. You must be careful not to overdo it.

To be sweet means that the singer's voice should reach the audience's ears sweetly. It means that the voice should have the power of attraction and be able to speak clearly and sweetly. To be rich means that the voice should be good. However, it should not be dry, blue, dull, or shallow, but should be moist, juicy, and rich. To be rich means that the voice should be rich. To be rich means that the voice should be rich and beautiful. To be rich means that the voice should not only be pleasant to listen to, but also have a voice of command, authority, and power. The last point is that the singer should be able to sing to the right tone and have a rich tone when playing the left tone. This point is very important.

 

After examining these five factors, it is decided whether the prince or princess is worthy of being a prince or not. The famous Maung Taung Master U Kyaw Hla had a great desire to be a prince. He studied various knowledge such as the Pitaka Vedan, poetry, history, and the Mahavin to become a prince, but when he reached the final voice test, he failed. The theatrical committee headed by the chief minister of the theater decided that Saya U Kyaw Hla was not worthy of being a prince, so he had to serve as a prince and not a prince, according to ancient stories.

In ancient times, sound was chosen with such great care. In this day and age, with the advent of loudspeakers, is it still necessary to make such a choice? A loudspeaker is a device that amplifies sound so that it can be heard far away.

The main thing is not to modify the natural sound. A person with a blue voice will produce a blue tone. A person with a yellow voice will produce a yellow tone. A person with a crying voice will produce a loud crying voice. When the above five sound-checking organs are examined, the answer will come out.

Therefore, in this era of abundant singers, if we examine them with the above voice analysis, there will be few who are harmonious. The ear knows what is harmonious and what is not harmonious. If a singer's voice is not pleasing to the ear, the ear automatically rejects it. To give a simple example, the voice of the movie star Khin Maung Yin in the past was sweet and melodious, and it was sweet to the ear. It was a powerful voice. Pyi Hla Pe's unique voice was also powerful. It could be called a rich voice. That is why they both became famous singers.

As for the female part, Ma Kyi Aung's powerful and powerful voice is also beautiful. Ma Aye Mi's soft and delicate voice is also very sweet to the ear. Sein Pati's bright and sharp voice is also very touching. It is very touching. May Shin's Thanhnyin Than and Sangha Than Pyaung are also very smooth. Zora Than Aye's Bilaat Pay Than's dancing and melodious voice is also very pleasing to the ear.

I have studied and memorized many of the songs of the above-mentioned singers that I admired in the past, and I still sing and play them to this day. Each one is suitable for its place and its style. They are all good. I liked them all. However, those voices could only make me happy. They could not make me feel scared. The voice that made me feel scared just by hearing it was

"May" was the voice of Ma Hla Shwe.